winterswake:

Us (2019) dir. Jordan Peele

ampontang:

RELATIONAL PROSTHETICS: Krzysztof Wodiczko et al. - Dis-Armor, 1999-2000

michaelmoonsbookshop:

illustrated head piece from a late 19th century magazine 

inkxlenses:

Mausoleum of Shāh-é-Chérāgh in Shiraz, Iran (Baraka, 1992)

fionaapplerocks:

Fiona Apple - backstage passes

fuckindiva:

Art by Nicola Samori

ankosv:

simply charming, alek wek by gilles bensimon for elle us april 1997

nevver:

Breathing underwater, Stig De Block

ankosv:

björk wearing hussein chalayan by inez & vinoodh, 1999

ankosv:

floating, malgosia bela by steven meisel for vogue italia march 1999

untrustyou:

Gordon Nicholas

thunderstruck9:

Tomás Sánchez (Cuban, b. 1948), Meditador, nube, río [Meditator, cloud, river], 2018. Acrylic on canvas, 45.5 x 60.5 cm.

cavetocanvas:

Ana Mendieta, Silueta Works in Mexico, 1973-77

From The Museum of Contemporary Art, Los Angeles:

Ana Mendieta was born into a politically prominent family in Cuba closely affiliated with the Communist movement led by Fidel Castro. When the alliance between Castro’s factions and Mendieta’s father turned sour in 1961, she was sent to live in the United States. Her exile informed the development of her ensuing work; she did not identify with a particular homeland and adopted various sites for her performances and their documentation. The untitled works that comprise the Silueta series, which she preformed as she traveled between Iowa and Mexico, reveal her interest in the earth as a site to address issues of displacement by recording the presence of her body—or the imprint it left behind—within different natural environments. Mendieta often filled in the silhouette of her body on the earth with various materials such as rocks, twigs, and flowers, as well as blood and gunpowder.